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In keeping with the EBU recommendations, Wavelab 8 incorporates gating to prevent measurements being distorted by long sections of silence, such as gaps between tracks on an album, or isolated transients. The highest peak is the loudness value most often recorded throughout a track.

#Wavelab elements 11 manual full

Each meter bar has a dynamic-range display attached to its right-hand end and a numeric readout in LUFS (Loudness Units relative to Full Scale).Īt the top of the Loudness Meter, there's a histogram that gets continuously updated, so you can see how the loudness is distributed, whether it's a sting lasting a few seconds or a concert lasting several hours. The top one, meanwhile, displays the Integrated value over time as a track progresses this is the accumulated average, similar in many ways to the more familiar RMS value, but also including complex behind-the-scenes psychoacoustic calculations to incorporate how the human ear interprets loudness. The bottom Momentary meter displays the loudness level of the most recent 400ms of audio material, while the middle one displays the Short-term loudness averaged over the previous three seconds. The three meters analyse loudness over different integration periods. The EBU R-128 compliant loudness metering is easy to read and understand, and its Integrated, Short-term and Momentary readouts should prove indispensable for any musician who's concerned about dynamic range. Anyone who has been baffled by the scrolling graphical complexities of some upmarket loudness meters will no doubt be pleased to hear that the Wavelab 8 implementation is very easy to interpret, with its three horizontal meters beneath a graph of loudness distribution. The new EBU R-128 compliant Loudness Meter section will be a great boon for anyone working in broadcasting, and of course Loudness Metering is also a great tool for helping to retain dynamics in the mastering process. If you really get into all these options, you'll be pleased to hear that you can also save the Master Transport Panel settings as presets for later recall. There are also larger transport buttons, left/centre/right button alignment, and a handy display of Timecode, Clock, Samples and Beats for when you don't need a separate huge Timecode window visible from across the room. These include playback 'anchors' with associated 'play from' and 'play to' commands, and adjustable pre/post-roll settings, so you can more quickly audition different portions of your audio files. This, of course, is in constant use, and whereas it was previously partly duplicated on the Central Switcher Bar, and at risk of getting lost among the other Command Bars, it now sits above or below the main waveform windows, consolidating all the existing transport commands into one neat area and offering a number of improvements and new options.

#Wavelab elements 11 manual windows

The most obvious change across the Audio and Montage windows is the redesigned Master Transport Panel. There are also, of course, numerous new features.

#Wavelab elements 11 manual pdf

This time around, there's a massive 823-page Operation Manual in PDF format for those who fancy some computer-based bedside reading matter, with the same in-depth information available as context-sensitive help from within Wavelab 8 itself.

The biggest sore point about version 7 for many users was the lack of a comprehensive manual, so let me reassure you on this count right away. I even found myself noticing for the first time smaller items that had appeared in Wavelab 7. From subtle changes in parts of the GUI colour scheme that provide greater contrast while helping to tie everything together, to the new design clarity of many of the icons, which makes their function more obvious, this latest version is instantly familiar, yet easier to take in at a glance. The first thing that struck me when I launched the new version was just how slick it looks compared with version 7. Nearly three years on, Wavelab has taken further strides forward in version 8.

#Wavelab elements 11 manual mac os x

Not only were there numerous new features, but for the first time it became a cross-platform application running on Mac OS X as well as Windows.

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Version 7 of Steinberg's Wavelab audio editing package was perhaps the biggest upgrade in the program's history.

Note, in particular, the new Master Transport Panel across the bottom, the better use of colour for highlighting, the Speaker Configuration section at bottom left, and the new MBIT dither options.Īlways moving with the times, Steinberg's Wavelab now includes comprehensive loudness metering, along with new plug-ins and an improved interface. Version 8 of Wavelab has, in my opinion, the clearest and slickest GUI to date.